Tag Archives: Writer

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Meet Julia Munroe Martin

Today’s Debut Author Q&A features a very special writer to me and to this blog. Julia Munroe Martin has been a supporter of Baby Grand and Making ‘Baby Grand’ for as long as I can remember. It is a privilege and an honor to have her here today to talk about her debut novel, Desired to Death. Her answers to my questions made me think about my own fiction journey – our paths are very similar, our ideas for our novels formed many years ago. So without further ado, I bring you the world’s newest mystery writer.

043013_Head-WUName: Julia Munroe Martin (writing as J.M. Maison)
Name of book: Desired to Death (Book 1 of The Empty Nest Can Be Murder mystery series)
Book genre: Mystery
Date published: April 29, 2013 (ebook); paperback in about 3 weeks
Where can we find your book: Amazon
What is your day job? This is it! I am a journalist by education, worked as a technical writer for about 10 years, then as a freelance writer. Now I focus almost exclusively on fiction.
What is your book about? This book answers the question: What am I going to do with the rest of my life? After her daughter leaves for college, former-SAHM Maggie True is faced with an empty nest and doesn’t know what to do with herself. Never in her wildest dreams does small-town Maggie imagine the answer will come in the form of a middle-of-the-night call for help from an estranged friend who has just been arrested for murder. But it does, and as Maggie solves the mystery of who killed A.J. Traverso, a sexy kickboxing instructor, she also solves the mystery of what to do for the rest of her life.
Why did you want to write this book? This idea came to me after my son left for college, when I wondered what the future held. It was a very tough transition for me, especially when a few years later my daughter left for college. Going through that transition, from stay home mom AND writer to “just” work at home writer, wasn’t easy. I’ve always been the kind of person who observes and watches everything and, clearly, makes up stories about it all. And my loose ends led me to ask the question “What if?” or maybe even “If only.”

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Meet Author Jessica McCann

Today’s featured debut author is Jessica McCann, a professional freelance writer and novelist who lives with her family in Phoenix, Arizona. Her debut historical novel, All Different Kinds of Free, was awarded the Freedom in Fiction Prize and is available in trade paperback, ebook and audiobook, which is what we chat about today.

040213_jessica_headshotName: Jessica McCann

Name of audiobook: All Different Kinds of Free

Audiobook genre: Historical fiction, literary fiction

Date published: Audio, June 2012; paperback/eBook, April 2011

What is your book about? The novel is inspired by the true story of Margaret Morgan, a free woman of color in 1830s Pennsylvania, who was kidnapped with her children and sold into slavery in the South. She fought hard to regain her freedom, and she endured tremendous loss and hardship. Her ordeal led to one of the most pivotal Supreme Court cases in America’s history, Prigg v. Pennsylvania. The history books will have you believe the story of Prigg v. Pennsylvania is important because it ended in controversy and fanned the early embers of the Civil War. This book will have you believe the story is important because it began with Margaret.

Why did you want to create an audiobook for your historical fiction? The novel had been well-received in trade paperback and ebook, and audio seemed like a logical next step. My publisher and I wanted to share Margaret’s  story with as wide an audience as possible.

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Anne Canadeo: ‘All Characters Are a Reflection of the Writer’

Last night, I attended the book signing of cozy mystery writer Anne Canadeo at Book Revue in Huntington, New York. Anne is the author of the Black Sheep knitting mystery series (she also wrote the popular Thomas Kinkade writing as Katherine Spencer) and was discussing The Silence of the Llamas, which is the latest book in the series. As often happens when I attend these appearances and the authors talk about their experiences while writing their books, I find myself nodding along. Here are nine things Anne said that I thought were pretty spot-on:

Anne Canadeo

Anne Canadeo

  1. ‘All the characters in the book, including the villain, are a reflection of the writer.’ Whether consciously or unconsciously, I imbued practically all the characters in Baby Grand with elements of my personality or fragments of my thought process. A piece here. A piece there. What’s fun is when people who know me read the book and pick up on them.
  2. ‘Fun things happen by accident.’ All the time. I plan, plan, plan, but sometimes the characters have something else in mind. I was surprised by many of the twists and turns that occurred in Baby Grand as I was writing.
  3. ‘Even though I knew my ending as I was writing, I wasn’t sure  how I was going to get there.’ Imagine getting into your car and getting ready to drive to a destination that is familiar to you. Hmmm… let’s see, you can take the highway if you want to get there quickly, or perhaps the scenic route if you’re in the mood for pretty. There’s lots of ways to get to one place, and that’s part of the magic of storytelling.
  4. ‘I need an outline or else I find that I’m wandering aimlessly.’ I experience this as well. Although my process is to just jump in and start writing wildly, without an outline, I reach a point — probably about a hundred pages in — where I get that “wandering aimlessly” sensation. That is when I sit down and do a very, very basic outline that serves as a guideline to get me from chapter to chapter and eventually to the end of the book.
  5. ‘Sometimes writing is miserable, but you’re compelled to do it.’ As one of my graduate professors used to say, there are so many more exciting things we could be doing — spending time with our families, meeting friends for lunch, going to the movies. Why do we sit at that computer and suffer? Because, for some reason, we’re compelled to do so.
  6. ‘You can talk and talk about writing, but you really just have to sit down and do it.’ This is VERY true. Waiting for inspiration is a myth if you’re a working (or serious) novelist. Gotta just sit there and write. Now.
  7. ‘When I’m writing, I do not think about the reader.’ It sounds cruel, perhaps, but worrying about what readers will think about a book will keep me from writing anything at all. Everybody is different. We all find different things funny, scary, thought-provoking. I truly believe that if you just concentrate on writing what’s in your heart, readers will find you.
  8. ‘Being a writer is pretty lonely.’ When I’m writing, it’s just my computer and me. In the middle of the day or night. I wouldn’t quite call it lonely, although I am indeed alone. Writing is a solitary endeavor. Maybe that’s why I’m enjoying the marketing aspect of Baby Grand right now — interacting with readers at store appearances and book clubs. I get to share my characters with others who — thank goodness — seem to love them as much as I do.
  9. ‘The most fun is being done with a book.’ Amen.
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Meet Victor Giannini

Today’s featured debut author is Victor Giannini. His novel, Scott Too—which was inspired by events from Victor’s own life—was published in December and is available in paperback and as an eBook.

012913_VG headshot 2Name: Victor Giannini

Name of book: Scott Too

Book genre: Magical realism or speculative fiction, depending on your cup of tea.

Date published: December 2012

Publisher: Silverthought Press

What is your day job? The last few years, I’ve been teaching with YAWP, The Young American Writer’s Project.  They send me into schools, grade 7-12, to teach playwriting or creative writing for a semester.

What is your book about? Being in direct conflict with yourself. Being forced to look at your own lackluster life and take responsibility for it. Thirty is the new 20, and this odd decade of extended teenage years can be a curse, so what do you do when it goes wrong?  What do you do when another creature steals your life and lives it the way you wished you could?

Why did you want to write this book? I wanted to write a dark comedy for a novella class I was taking at the Stony Brook Southampton MFA in Writing and Literature. What started as a “multiplicity style wacky sitcom” with super violent jokes and gore quickly turned into an absolutely different project. I saw my generation around me, where our twenties are different than previous generations’. Scott Alvin became a representative for this new generation. So I pit him against himself, a more aggressive, bitter, unrestricted self, to see what would happen. I wasn’t sure, I wanted to find out. And I did! And in all honesty, as I got inside Scott’s head, it was not what I expected at all …

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Writing Tip #108

Always remember why you became a writer. Yesterday, I had the privilege of speaking to prospective MFA students at Hofstra University about my experiences in grad school there and about publishing as a career. I got to see old professors and old friends, but perhaps the most exciting aspect of the afternoon was the opportunity to hear current Hofstra students perform readings of their work. How inspiring it was to see these students recite their poetry, their creative nonfiction and fiction. How proud I could tell they were to have been asked to showcase their stuff. You could see it in their eyes, hear it in their voices. It’s been, gosh, almost four years since I graduated from Hofstra, and I had forgotten how exciting it was to be in a place where the written word was cultivated and so valued. (Can you tell I miss being there?) As I struggled with my current work-in-progress this morning, I thought about the faces of those students I saw yesterday who didn’t seem worried about agents and publishers and readers and sales. They just seemed to be enjoying the moment, the opportunity to share their thoughts with others. That’s why most of us have become writers, isn’t it? Because we thought we had something to say, stories to tell. Good. Bad. Long. Short. Funny. Sad. Whatever it is that we’re struggling to say, we have to always remember that it deserves to be written.

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Writing Tip #107

Feeling ‘trapped’ when penning a sequel. A fellow writer, Betsy Arnold, sparked a very interesting discussion on my FB page today. She said — with regard to penning a “companion book” to a novel:

“I keep having to go back and check the facts from my first book which were throwaways at the time. Now they are parameters with which I’m stuck. Is that true for you?…I keep having to consult my maps and timelines. Ugh. I want to change a few things in the first book, but can’t. It’s a strange feeling.”

Indeed, it is. And she is totally right. In a sequel, or companion book, you are confined by the “throwaways” (good word!) that you created in the first book — your character was born here, in a place and time that you provided for him, whether purposefully or arbitrarily (it makes you realize how very important every decision you make in your novel is!). As I told Betsy, you can always have a character dye his hair or decide he doesn’t like mashed potatoes anymore. But it’s true that that character has to be born where you decided he was born in the first book — unless, of course, the entire first book was a hallucination or dream (Bobby Ewing, anyone?). Although the novel I’m working on now, In the Red, is a stand-alone, my next book will be a sequel to my first novel, Baby Grand. I’ve started working on it a bit, and already I’m experiencing the things Betsy mentions: Having to check back to the first book to make sure I’m being consistent so that fans of the first book won’t be standing outside my house with pitchforks demanding a public apology or a new edition.

Yes, it can feel confining, but remember that only those starting points have to remain the same (character names, descriptions, etc.). Characters can move, change their minds, denounce their families, find a time machine and do just about anything they want to do. Although some things may be etched in stone, the rest is a wonderfully blank canvas.

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Writing Tip #95

Don’t sweat the small stuff now. Just write. I had lunch this week with a colleague who is interested in writing fiction. During our chat, she had all kinds of questions:

  • How do you know, when you’re writing dialogue, when to say “she said” or when not to say “she said”? What if the reader doesn’t know who is talking?
  • How do you know, if you’re writing YA, that your voice sounds really like a young adult?
  • How can I have my main character have a younger brother when I don’t know what it’s like to have a younger brother?

I found that most of my answers to her questions was this: Don’t worry about that now. Just start writing.

Sometimes new writers get caught up in all these worries. Me included. I’m reminded of an incident I discuss in Writing Tip #83 when I was in grad school and I was so worried about getting the police investigation right in Baby Grand that I became totally blocked and couldn’t write the first chapter introducing Detective Sergeant Mark Nurberg, one of my main characters. It was my professor’s waving me off with a nonchalant (irritated?) “just write it,” like she was waving away a mosquito, that pushed me to go home and, as she suggested, just plunge in and do it.

What separates the writers from the non-writers is that writers push those worries aside and “just write” and see what happens. What comes out might suck. It might not. But it might. The thing is, you won’t know until you try — as trite as that sounds. And, anyway, if it sucks, that’s what editing is for.

So if there’s a scene that is giving you trouble or that you’ve been avoiding, my advice is to — right now — open that Word document and start typing. Write a paragraph. Or a page. Just write. I have a hunch that, when you’re done, however good or bad you think that writing is, you’ll be glad you did.

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Meet Author Kate Evangelista

Today’s featured debut author is Kate Evangelista, who has written a young adult paranormal romance titled Taste. Welcome, Kate!

Name: Kate Evangelista

Name of book: Taste

Book genre: YA Paranormal Romance

Date published: April 30, 2012

Publisher: Crescent Moon Press

What is your day job? I actually don’t have a day job. I write full time. *smiles*

What is your book about? Taste is about a girl who breaks the one rule in her ultra-exclusive private school to discover a dying ancient race living beneath the school.

Why did you want to write this book? The characters wouldn’t stop speaking until I did.

What would you say is the most challenging part of writing a book? The editing. If you don’t love the editing process, it can be a difficult road to walk.
Did you conduct any kind of research in order to write this book? Most of the research I did for the book had to do with the science aspect of the story and a bit about the Caucasus Mountain Range which is where Barinkoff Academy is located.

What motivates you to write? Writing is so much fun. Being able to communicate with the characters in my head and letting them tell their stories. Plus, the unlimited possibilities when plotting becomes a joy to me.

Did you experience writer’s block? I usually write a chapter a day. I start a novel at the beginning of the month so by the end of the month I have approximately thirty chapters that make up one completed novel. For me, this technique prevents writer’s block because I’m not forcing myself to keep writing. When I finish a chapter, I usually call it a day.

How long did it take you to write this book? The first draft took about six months to write, but from first draft to publication, it took about five years.

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Writing Tip #86

Dialogue, interrupted.  I love dialogue, and there’s lots of it in Baby Grand. Many times characters’ dialogue will be cut short for one reason or another. There are two types of punctuation you can use that will show the reader whether a character has lost his or her train of thought, or is perhaps reluctant to speak, or whether he or she, instead, has been interrupted.

If you use an ellipsis (…), the character’s dialogue has sort of trailed off. For example:

“I really like you, but marriage?” Samantha said. “I just don’t know…”

“Please think about it,” Eric pleaded.

Here, by using the ellipsis, the reader senses Samantha’s conflict, that her words have been interrupted by her own ambivalence.

On the other hand, if you use an em dash (–), it shows that a character’s dialogue has been interrupted by someone else. For example:

“I really like you, but marriage?” Samantha said. “I just don’t know–”

“Please think about it,” Eric pleaded.

Here, the reader senses Eric’s eagerness, or his desperation, how Samantha was unable to finish her sentence because Eric interrupted her.

Cool, right?

It’s interesting to note how readers can know so much more about a character based on the type of punctuation we choose as authors. As if authors need any more pressure on them…

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Writing Tip #79

Write neatly. Last week, my 14-year-old son Griffin came to the rescue with a terrific writing tip. This week, my mind is on the copy-edited manuscript of Baby Grand, which was given to me on Thursday to go through, so as I sat down to write today’s tip, drawing a blank, I thought I’d solicit ideas from my two oldest children, who had the unfortunate position of sitting with me at the dining room table. Without missing a beat, my 13-year-old daughter Helena suggested I tell writers to try a new genre. Great idea, but I covered this already with Writing Tip #47. Griffin, with a mouthful of cereal, suggested I tell writers not to be afraid to cut or edit their manuscript. Already discussed in Writing Tip #24.

Then my teenagers lost interest in me and left the table before I could pester them any more. But, lo and behold, my 9-year-old son Jack came barreling down the stairs, so I asked him what he thought I should write for today’s tip. He thought a moment and said, “Make sure your writing is neat.” God, he is adorable!

But, you know, he’s right. This is a problem that I have. I’m one of those writers who likes to pull off the road to jot down ideas, and I can’t tell you how many times I haven’t been able to read whatever it was that I had jotted down in such a frenzy, because my handwriting was too sloppy. Several writers in the Long Island Writers Group lamented the same thing when we met this month. I can only imagine how difficult it is for all you novel writers who still draft on yellow legal pads or notepaper. I don’t know how you do it.

What I do now instead is type those ideas into my phone, instead of using pen and paper. I find I have a better chance of deciphering what it was I was trying to remember. But, yes, there are those times when my phone isn’t handy, so I go back to the tried-and-true pen and paper — or crayon and napkin, whatever’s available. But, as Jack said, that only works if you can remember to write neatly enough. So I try to.

Where do you jot down story ideas? Do you use pen and paper or an electronic device?