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Bad writing is better than no writing. The first time I said this was in grad school (my professor said it sounded like something that belonged on a T-shirt), and I’ve said it on this blog here and there, but all weekend long I’ve been thinking about how true this is. Now that Baby Grand is available for Kindle on Amazon, I’ve been getting so many wonderful comments from friends, family and colleagues. “You’re a wonderful writer,” said one. “Great read on a holiday weekend. Loved it,” said another. And I think about how this book looked in the beginning, the days I stared at my computer screen and thought, This is awful. Or the days that a scene was just a collection of random thoughts jotted on a page.

Writing is like sculpting or whittling: You start with a block of clay or wood and then slowly (and I mean slowly!), you transform it into something interesting and, if you keep going, perhaps something amazing. And lots of times you can see the end result as you go, but sometimes you can’t. Sometimes all you see is a collection of random thoughts jotted on a page.

But always remember that there can be no good writing — or great writing — without those random thoughts, without the bad writing coming first. Baby Grand would never have been if I had stopped at the bad writing, if I had given up.

Bad writing — as terrible as you think it is — can be edited and made better. No writing is just no writing.

It’s finally here! My debut novel, Baby Grand, is available on Amazon Kindle for the promotional price of $1.99.

It will be available on the Nook and other devices and as a print-on-demand paperback later this year.

Right now, I am completely overwhelmed and exhausted and excited and cannot think of anything clever or interesting to say. Just know that this book is what it is because of your support over these past two years — through all the writing, procrastinating, editing, more procrastinating, promoting and more.

Thank you. Truly.


I’m interviewing Siobhan Fallon, author of You Know When The Men Are Gone, for an upcoming installment of Debut Author Q&A as well as for a feature article in Family magazine. While going through the press materials for her book, I came across this gem of advice that Siobhan offers aspiring writers:

“Don’t give up. Try to say things in a way only you can say them, and then just keep at it until someone notices. And eventually someone will notice.”

Damn straight. Right on. True dat. (Fill in your own words of agreement.) This was such awesome advice — I just had to share, like now. More to come from Siobhan!

Somehow in my freelance writing frenzy – and it HAS been quite the frenzy over the past few weeks – I managed to forget it was Tuesday yesterday until late in the evening – when I was too tired to restart my laptop, which explains today’s appearance of this week’s Debut Author Q&A. Hmmm… Me thinks a nest of vampires might find their way to Long Island if today’s featured author, Martin Tracey, a horror writer, has his way. :)

Name: Martin Tracey

Name of book: Beneath the Floodlights

Book genre: Horror

Date published: July, 11 2011

Publisher: Authorhouse

What is your day job? Performance and Analysis Manager

What is your book about? The book features around a nest of vampires and a Birmingham soccer team who are relegated from the English Premier League. The team are seemingly rescued by a mysterious new manager from Transylvania, Professor Cezar Prodanescu, and his stable of young superstars – who also happen to be the nest of vampires! Once darkness falls and the floodlights glow, their powers enable the team to win games by incredible margins. Buried nearby is the world’s first vampire, and Cezar’s plan is to resurrect a clone from the extracted DNA of his ancient bones. But Cezar did not legislate for falling in love with human girl, Lily, or for acquiring such admiration for team captain and local hero, Johnny Knox, and the soccer team’s other human players. But as Cezar struggles with his emotions and attempts to shield his identity as a master vampire, his finest example, star striker Andrei, is eager to keep things on course.

Why did you want to write this book? Like most English boys, I have always been interested in football (soccer) since a very young age. I also have a deep interest in the supernatural, so when I decided to write a novel I wished to combine these two worlds as I have an avid interest in each, which fortunately resulted in a unique combination and original twist on the traditional vampire tale as we know it. In almost all vampire tales vampires seem to possess supernatural powers when darkness falls so it made sense that the vampires in my story would make great soccer players “Beneath the Floodlights.” Being a native of Birmingham, UK, I wanted to set the book around the area that I know and love so well.

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Pick an ending. Any ending. Yesterday, I was finishing a lovely short story that I was really into. Couldn’t wait to find out what happened. And then as I got to the final page, then the final paragraph, and then the final sentence:

WHAM.

And when I say, WHAM, I mean nothing happened.

I was left hanging. The knife was in the guy’s hand. Whom would he kill? Him? Her? Himself? No one? Guess what? We’ll never know…

As I wrote yesterday on Facebook, unresolved endings drive me nuts. It’s like making your favorite sandwich and then throwing it into the garbage.

I know there are those of you out there who like those open-ended novels and short stories, where the reader is allowed to use his or her imagination to fill in the blanks of what happens next. But for me writing is all about making choices. All along, authors have taken great pains to create characters who are authentic and compelling, plots that are intricate and plausible. Why on earth would they want to throw their hands up in the air at the end and say, “Okay, you decide, dear reader, what to make of all this. I’m done.”

I just don’t get it. As I wrote yesterday, I don’t need things to be all wrapped up in neat little bows. I’d settle for some aluminum foil with big gaping holes. Go ahead and end with a little teaser that sets up the sequel. No problem. Just give me something. Call me boring, but I need to know if it’s the lady or the tiger, a little bit of closure so I can feel satisfied. Like I just ate my favorite sandwich.

How about you? Do you mind — or even like — open-ended fiction?

How coincidental that I’ve spent the entire morning working on a nonfiction book about bullying and today’s featured debut author, Rebecca Emin, has written a young adult novel about the very same topic. It’s like I planned it. And I totally didn’t. Really.

Name: Rebecca Emin

Name of book: New Beginnings

Book genre: Children/YA contemporary (for 10- to 14-year-olds)

Date published: January 23, 2012

Publisher: Grimoire Books

What is your day job? Writer/mum

What is your book about? Sam Hendry starts at senior school (high school) and becomes the victim of bullying. The novel shows how she deals with this issue and makes friends elsewhere.

Why did you want to write this book? I wrote it in an attempt to make people think about bullying and the impact it has on people. I know a lot of people who have been bullied at various stages in life, and it’s a common thing which shouldn’t be ignored.

What would you say is the most challenging part of writing a book? For me, with three young children, it’s finding the time to sit and get my words down when I always have a huge list of other things to be doing.

Did you conduct any kind of research in order to write this book (visit certain locales, etc.)? No, this novel is set in an area I know, and actually even when they go away for a break, I used a place I have visited to make sure the facts would be correct.

What motivates you to write? I’ve always said that one day I would write a novel, ever since I was very young. It was when I was 38, I realised time was stamping on and I hadn’t written that book yet… So I set myself the target of doing so before I was 40. Luckily, that worked.

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Just when you think you have nothing left — PUSH. Some of my strongest memories of writing Baby Grand involved intense bouts of self-doubt. In graduate school, where I wrote the first third of the manuscript, there was one point where I had completed Chapters 1, 2, 4, 5 and 6.

My professor asked, “Well, what about Chapter 3?”

Truth be told, Chapter 3 was scaring the hell out of me. I had planned it to be the first chapter involving the police investigation where the reader meets the detective assigned to the case. And after YEARS of watching Law & Order, I felt like I knew nothing about police investigations, and there was absolutely no way I could write a convincing scene (in fact, if there had been a way to avoid doing a police investigation at all in this novel, I would have found it).

I remember my professor’s confusion, like she didn’t know what I was talking about. “Just write it,” she said, dismissively, and went on to the next student.

That night, I went home and stared at a blank page. Just write it? I thought. I just can’t. I can’t. I can’t. And then I started typing, writing anything that came to me to get some random ideas on paper, and then going over and over that writing (which is the way I write — constant editing) until I sat there and looked at it with amazement. Gosh, it’s not terrible, after all, I thought.

More than a year later, during the revision stage of Baby Grand, it was my agent who would give me that gentle push, who questioned and probed and would say, “This doesn’t ring true” or “I think you should delve more here.” Delve more? I’d pace the living room floor in frustration, confident that there was nothing more to say on the matter. I just can’t, can’t, can’t. And then I’d sit down and try, and not only did I find out that I could, but that her instincts were right and made Baby Grand a better novel.

There are probably hundreds of additional instances during the writing and rewriting of Baby Grand when there was nobody to push me but myself. Nights spent in a dark, quiet house alone with my laptop, staring out the window at the rising sun, battling those self-doubt demons who said I couldn’t hack it, that what Baby Grand needed I couldn’t give it. During those times, I didn’t give up. I cried, of course, and said things like “I can’t do this” and “I have no talent,” but deep down I knew that I could and that I did. I found the strength and determination to push myself when I thought I had nothing left. Just when I thought, I have absolutely NO idea what to write here, I would find it somehow.

Those are probably some of the sweetest moments of writing, when you sit back and stare at the screen and think, Wow, I really COULD do this, after all. And as much as the temptation is always there to throw in the towel, I wouldn’t miss those moments for the world.

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