Writing Tip #98

Because I’m bad, I’m bad… Or am I? I just watched the first four episodes of Season 1 of Breaking Bad, the critically acclaimed AMC program starring Bryan Cranston who plays science teacher turned meth maker Walter White. I know I’m late to the party, about 40 or so episodes behind the rest of the world, but I’d heard so many good things about this program that my husband and I decided to watch it from the beginning.

Just a few minutes into the first episode, I knew the show was for me. I’m a sucker for good characters who do bad things and, conversely, bad characters who do good things, characters who make you feel ambivalent, who make you question why you’re rooting for them or why you’re making excuses for them like a mother who pleads with the authorities that her murderous son is really “a good boy.” Tony Soprano was one of those characters. Hannibal Lecter also comes to mind. And this was the kind of bad guy I was trying to create with Don Bailino, who is the villain of my debut novel Baby Grand — one that kept readers on their toes, hating him in one chapter, liking him the next and, perhaps, not liking themselves just a tiny bit for liking for him. I find these kind of characters to be compelling, human, relatable, perhaps even sympathetic.

“You can see why he became a meth dealer,” my husband said about Walter White. “Because now that he knows he has lung cancer and only a year or so to live he needs to provide for his family.”

“I get it,” I said. “But that still doesn’t excuse him from what he’s done. He just choked a man to death and told his sidekick how to use chemicals to get rid of the body of the other guy he killed in the trailer explosion. He chose this road. Nobody chose it for him.”

“So you’re not rooting for him, I guess?” he said.

“No, I am,” I said with a smile.

What on earth would make him think I wasn’t? :)

Who is your favorite bad guy of literature, television or film?

‘The Killing’ Is Killing Me

So I spend 13 weeks watching AMC’s The Killing, totally engrossed, trying to figure out who killed Rosie Larsen, thinking I was so smart one episode, and then thinking I was totally clueless the next. And last night, during the season finale, just when I thought I would finally find out who did it and (more importantly) if I was right… wham! There is no answer. Only a cliffhanger. Gotta tune in to Season 2 to find out.

Ugh.

I’m not a big fan of when books and movies and television series do these things. Readers and viewers have invested their time into these projects and deserve some kind of resolution, no? I remember fuming when coming to the end of Anne Rice’s The Witching Hour, a monster of a book that had absolutely no ending at all, leaving readers with an advertisement for its sequel, Lasher. Even the ending to Suzanne CollinsThe Hunger Games, which I really loved, left me feeling a little unsatisfied. Should I really have to read Catching Fire to find out who Katniss chooses, Gale or Peeta? Will I even find out in the sequel? (Don’t tell me. It’s on my reading list.)

Just on principle, I have a good mind to boycott Season 2 of The Killing and show these producer-people how they can’t do these things to us, how we readers/viewers are not to be toyed with, how we deserve more than a wild-goose-chase ending or having a carrot dangled in front of us indefinitely.

But I know myself. I’ll get over it. And I’ll be sitting on the couch, enthralled, during the opening credits of Episode 1, Season 2.